Lidia Cao

Lidia Cao

From a very young age she was interested in drawing, specializing in the treatment of figures and faces, carefully analyzing expressions to get to say a lot with the minimum.

In her work the characters have a primary weight in the composition and the dreamlike atmospheres that they generate enhance the expressiveness of their faces, which function as intimate psychological portraits and acquire a veiled but intense dramaturgy.

Her mastery of volume stands out through a firm and accurate line, her taste for synthesis in her color palettes and her attraction to desaturated and slightly strident ranges, pondering the importance of drawing over color.

In 2016 urban art crosses her path, and since 2018 her career as an illustrator is combined with her mural work, which is gaining more and more weight, leading her to participate in various urban art events in recent years.

 

Contextualización del mural

Desarrollo del mural

Manolo Mesa

Manolo Mesa

Fixation by jugs, pots, bowls … is a great vehicle for counting things. From day to day and everyday, to the need to give value to those practices that arise from the domestic monumentalizing them … The painting is perishable.

 

The act of looking draws from this deep feeling an apparently neutral reason that serves to understand its artifice. Facing these inert objects, meditating on their inherent beauty and spending an eternity devoted to their placid observation, waiting to perceive that meaning that resists in them as an autonomous way of being.

Mural de manolo Mesa sobre la fábrica de san claudio

Participatory process

Mural process

Manu García

Manu García

My name is Manuel García Fernández, I was born in Oviedo on September 22, 1994, graduated in Fine Arts from the University of Salamanca, I currently reside in Oviedo where I share a study with Edu Carrillo.

In general, the theme of my work is autobiographical, it works as a kind of diary, focused above all on the idea of inhabiting and approaching the world from artistic activity; starting from the idea of the game, not understanding this as something not serious, generating images and spaces to relate to the rest and to myself; uniting aspects that are apparently far from logical, in a field where primitive drives can share space with the fragmented aesthetics of the virtual, where what is important can be in a bond with other people, in a color, in an object or in a trace ; constantly falling into contradictory situations where the festive can go hand in hand with fear and laughter.

Harsa Pati

Harsa Pati

Arantxa Recio Parra (Zaragoza, 1979) is a multidisciplinary artist who has worked for years for a wide range of creative projects and brands. Her work is closely linked to contemporary illustration, with clear references to popular culture and illustration from the 50s and 60s.

She diversifies her work between collaborations with advertising agencies, publishers, exhibitions, and art festivals. Her works have appeared in many different areas (publishing, advertising, book covers, packaging, fashion, design, etc …).

She has published in Spain, Mexico and Argentina and has also exhibited in Italy, Austria, Scotland and Croatia.

Contextualización del mural

Desarrollo del mural